Category Archives: Advice

What type of adhesives to use

This is a comparison to many adhesives to see what works best for your project.

PVA glue/ craft glue/ wood glue

“Polyvinyl acetate” “white glue”

The only difference between white glue and wood glue is that wood glue is yellow and dries harder

You can make homemade PVA glue 

Water-soluble, non-acidic

Works on plastic, paper, fabric, styrofoam, organic materials, cardboard

Pros: does not emit strong fumes, non-toxic, dries clear without stains and flexible, cheap, easy to apply, odorless

Cons: can take 24 hours for curing, takes at least 30 mins for clamping, limited shelf life

$8-20 depending on size and brand

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Student’s Guide to Budget Travel Planning For a First Trip to Paris (Or Anyplace Else)

What Follows Is An Article I wrote for College Monthly in 1992 on how to cheaply and effectively travel to a new place. It describes specific things to do to make travel easy and breathtakingly inexpensive.

Three winters ago I left California and got a temporary teaching job at the University of Alaska-Fairbanks, where the sun peeks over the Southern horizon a few degrees azimuth for a few hours each day, and seeing the ice-fog and sub-zero temperatures, thinks better of staying too long. During Christmas break all alone, for reasons which are probably obvious, I started to fantasize about travel to warmer and more populated portions of the globe. My favorite fantasy was that the following summer I could go to Paris for the 1789-1989 Bicentennial, an event near and dear to my history-lover’s heart.

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Travel For The Soul

TRAVEL IS INSPIRING: While I am tolerably certain that Vaslav Nijinsky and Leon Bakst did not absolutely need to go to Greece to respectively choreograph and design the Ancient Greek themed 1911 ballet Afternoon of a Faun, I’m sure it helped. What is more, I expect that they enjoyed it too. And while the IRS probably (in its wisdom) would have frowned upon them trying to deduct it as a business expense (had they been modern Americans), it is true that travel is one of the best methods for any type of artist to get inspiration.

TRAVEL NEEDN’T BE NICE TO WORK: Travel need not be glamorous or expensive or comfortable to be inspiring. It is a recorded fact that Bertolt Brecht wrote most of the rough scripts for his greatest works (Mother Courage, The Good Woman of Szechwan, and The Caucasian Chalk Circle) while staying in refugee camps during W.W.II, fleeing the Nazis by walking/hitching rides from Germany to Manchuria, going through Stalin’s USSR. True he wrote the smooth finished drafts of these in the comfort of Southern California, but the inspiration, the ideas, they came from a grueling trek across hostile territory in the midst of a war. Travel is good for an artist if it doesn’t kill her.

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The Costumer Within

Please note, if you are getting this out of context, this essay was written as part of a Costumer’s self-help book of advice back in January 1995

“I, MYSELF, AM STRANGE AND UNUSUAL”: Just because I’m giving out advice, please do not assume I am in any way “well-adjusted” or (God forbid) “normal.” I am, and have been, to my earliest memories, one of life’s outcasts. The Weird One. Born as one of those crazy artist people who is oh-so-creative but really, cannot possibly deal with the real world. I do not mean to say I am helpless. Quite the contrary. Being strange and unusual means you are pretty much on your own most of the time, and you get very good in dealing with problems from moving to finances to flat tires on your own. But I am the sort of person who decides to enliven a dull day by going out in a false mustache, monocle and frock coat for the evening. I’ll sit at home, watching the same videotaped TV show over and over while I paint giant twisted faces on canvas night after night. Or write this book in my flat for days, when I should go out shopping, because I think “another day of using newspaper for the toilet won’t be so bad.” So I’m giving advice, not as one of those superior “cured” people, who has found Jesus, or is listening to Prozac or whatever, but as one of the sick crazy people, who wants to remain a costumer, remain strange, remain unusual, because, really, art (self-expression) is more important to me than toilet paper.

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Research Heresy

Research Heresy: As a high school student it was my ambition to become a librarian. As a result, my first paying job, as well as years of volunteer jobs and classes, were spent in libraries, working, studying their systems, and hiding out. This put me at a singular advantage all through college and grad school, and I was generally regarded by students and faculty alike as a sort of guru of library research. I could, and did, do major graduate research papers on obscure subjects in 3-7 days, start to finish, and get highest marks. So it was no great surprise to me when the faculty asked me to do a seminar on research for the assembled faculty and students in the department’s weekly lecture series. The faculty sat down expecting I’d give a serious harangue to my fellow students encouraging them to stick their noses to the grindstone of the library, and the students braced to snooze through yet another “scholarly paper”. I seemed to shock everybody, pleasantly or unpleasantly as the case may be, by actually explaining how I did my research. You see, because I understood the system, I understood how to “cheat” the system. So I explained that one could get information out of the library in bulk, in less time, without so much “nose to the grindstone.” I was, I’m afraid, even flip about it. And I admitted that the recent research paper I wrote that was considered by the faculty to be “of publishable quality” on French Revolutionary Festivals, was in fact the product of one weekend’s cramming. Well, the students didn’t fall asleep, and my advisers were looking not at all happy with me, but, I thought: “I have a mission here—I must lead the righteous to the path of better grades, no matter what the cost!” So I did. And here is my lecture (with some new tricks I’ve learned since):

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Idea Stealing

IDEA STEALING: Ideas rarely, if ever, flow spontaneously forth in original brilliance from a mind untouched by outside influences. God does not, in costume design, tap lightly on your shoulder and tell you the All New Perfect And Inspired Way to design Miss Julie for your graduate design seminar. Some people’s designs may look like She did, but She didn’t. Design is a process that works out of, and through, many pieces of information, from costume history, to cultural perceptions of color, to actor’s body proportions, to budget realities, and more. Trying to design costumes without being influenced by outside factors is therefore, pointless.

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The Old c. 1995 Costumer’s Manifesto “Book” that started before I thought to start putting this stuff on the internet in 1996….

A Book of General Advice for Costumers

 By Tara Maginnis Ph.D. The first “self-help” manual for those artists who make clothes for imaginary people.

Continue reading The Old c. 1995 Costumer’s Manifesto “Book” that started before I thought to start putting this stuff on the internet in 1996….