What you will need for this project
THE IDEA COMES FIRST: There is a strange notion when you first begin designing costumes that some how “high concept” must translate to “high budget” or it isn’t possible. I’m not exactly sure where one acquires this stupid idea, but we, the design students at College of Marin and S.F. State, all had it.
This is simply wrong. Imagination, forethought, and unified concept are the three cheapest things you can do for a show, a fact that our professors attempted to hammer into us in vain. In fact, my post graduate experience showed me that usually these things can make a show happen more cheaply. At all events,there is no excuse for not having them, simply because your budget is small. You need to look at the play script, and talk to your director about ideas even before you talk about money. If you have the right idea, there will be a way to make it happen, money or not. It is ideas in design that get the ball rolling, once you have them, money often becomes irrelevant.
Continue reading Deep Theory, Ideas for Show ConceptsIDEA STEALING: Ideas rarely, if ever, flow spontaneously forth in original brilliance from a mind untouched by outside influences. God does not, in costume design, tap lightly on your shoulder and tell you the All New Perfect And Inspired Way to design Miss Julie for your graduate design seminar. Some people’s designs may look like She did, but She didn’t. Design is a process that works out of, and through, many pieces of information, from costume history, to cultural perceptions of color, to actor’s body proportions, to budget realities, and more. Trying to design costumes without being influenced by outside factors is therefore, pointless.
Continue reading Idea Stealing
