All posts by TheCostumer

Tara Maginnis has been the Costume Designer for DVC Drama since 2008, and been teaching Stage Makeup and Costume Design classes at DVC since 2009. Before this she was a Professor at the University of Alaska Fairbanks for 18 years doing the same, plus teaching The History of Fashion and Dress, Theatre History and more. She has a Ph.D. in Theatre History from UGA, an MA in Theatre Design from CSU Fresno, and a BA in History from SFSU. She is known for her video teaching series Theatrical Makeup Design Interactive, as well as articles in Costume, The Virtual Costumer, Theatre Design & Technology, The Costume Research Journal, etc. You can see many of these articles as well as her designs for theatre at https://TaraMaginnis.com and at The Costumer's Manifesto https://costumes.org

C. 1900 The Makeup Book For Professionals, F. W. Nack

My first eBay “find” in my study and acquisition of early stage makeup information was this tiny color lithographed pamphlet. I originally assigned a c. 1900 date to it because of the styles of women’s hair in it, (some looked 1890s to me while others seemed a bit 1910-ish, so having no other reference, I split the difference). It was made in Germany (the home of the best stage makeup and best lithography in the first decades of the 20th Century) for the US market, specifically for the Chicago firm of F. W. Nack (theatrical wig and makeup sellers) at a date unknown. Since I first obtained it, I have been able to learn that F.W. Nack was in business from at least 1917 until at least 1957 according to a few ads found in various newspapers and theatre publications. Several of the plates strongly resemble images in Das Schminken, (which appears to be a book from closer to 1910), especially the “Yankee Farmer” who closely resembles the “Schneider” (Tailor-Cutter) in that book, and the “Chinese” and “Hebrew” plates. I don’t know if this means this was partly the copy of the other or both were based on an unknown earlier German book. So the date is most probably later than 1900, but I have no definitive “hook” for a better date as yet. If you do, please let me know!

Pretty much all makeup books from this era until the 1950s had some pretty amazing racist/sexist content, though the gorgeous bright color lithography of this tiny booklet still is the most intense rendition of these jaw droppingly offensive styles I’ve ever found. The intensity of the colors is most probably not an exaggeration. Early electric stage light, especially arc light follow spots, really washed out faces. Note the intensity of color on the white characters as well. There is lots of rouge, blue shadows, and on older characters even yellow highlights are used. When I first got this little booklet, I tried doing the three ages of respectable white lady makeup from this book, (not the sexy “soubrette” or the man-in-drag comic “old maid”) and did this:

1880 Dazian’s Catalog of Theatrical Goods, Costumer’s Supplies, Regalia, Church & Military Trimmings, Society Goods, Etc. W. Dazian

Cover of the catalog,  a 1946 note to a customer sending the catalog, the business card of George Feinberg, President of Dazian's Inc. and a note by Tara Maginnis explaining why the catalog must have been printed between June and November of 1880.
Cover of the catalog, a 1946 note to a customer sending the catalog, the business card of George Feinberg, President of Dazian’s Inc. and a note by Tara Maginnis explaining why the catalog must have been printed between June and November of 1880.